“Like Gary said before, we might not be here if not for you. “We’re thrilled for you to do it,” he said. They’d been at the station since around 8 a.m., doing interviews for cable TV and popping into other KLOS shows such as the Frosty, Heidi and Frank show, which took over mornings after Phelps and Thompson left.ĭJ Gary Moore, whose afternoon show Thompson and Phelps took over, told them that without their strong ratings for so many years, KLOS might not have made it to 50 years, which Cunningham repeated. And please, please play the commercials when they’re scheduled.ĭid they treat this seriously? They did not, summoning Cunningham to the studio to demonstrate how to hold up the right number of fingers, teasing him about the swearing and the commercial spots. Hold up the appropriate number of fingers for callers on the numbered lines. They joked about the “rules” that program director Keith Cunningham had laid down in a conference call a few days earlier: No cussing. “I’m looking over at you – oh my God, we’re doing a radio show?!” “I just had one of those moments,” Phelps said. Then he paused, the fact of what they were doing apparently catching up to him. “We’re going to kind of do this as we go, and we want you to be part.” “It’s not going to be a well-oiled machine,” Phelps added. “We start out, and we’ve got a plan, but then something happens.” “We’re just going to take today like I think we did each and every show that we ever did,” Thompson said. The two announced that as always, they’d made plans for the show but would inevitably lose the thread. “And for them to allow us back … thank you very, very much.” “One of the things that we’re honored to say is that we were half of the 50 years of these iconic call letters KLOS,” Thompson continued. “Just so you know, Mark still has a flip phone,” Phelps interrupted. “There are a lot of cameras pointed at us because social media is all the rage today –” “Oh my God,” Thompson said once the in-studio cheers died down. One of their theme songs from around the time they arrived in Los Angeles in 1997 – an adaptation of the Sergio Mendez and Brazil 66 hit “Mas Que Nada,” rewritten with lyrics about “The Mark and Brian Show” – followed, and then those familiar voices were back, greeting each other, joking about whether they’d remembered how to turn on their microphones, and cracking each other up just like always The classic Thin Lizzy song, “Boys Are Back In Town,” kicked things off at 3:03 p.m., its opening lines – “Guess who just got back today / Them wild-eyed boys that had been away” – the perfect musical return.
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